Orin Snyder

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ORIN SNYDER ESQ. REPRESENTED BOB DYLAN IN JAMES DAMIANO VS. BOB DYLAN FOR PLAGIARISM

TO WHOM IT MAY CONCERN ORIN SNYDER WILL LIE TO THE COURT AT WILL AND WITHOUT RESERVATION

IN A LAST NAIL IN THE COFFIN SCENARIO JAMES DAMIANO'S MOVIE "ELEVEN YEARS" DRAWS THE STRAW THAT BREAKS THE CAMEL'S BACK, RIVETS BOB DYLAN TO HIS SECRET PAST OF PLAGIARISM AND REWRITES MUSICAL HISTORY"......THE NEW YORK TIMES

FOR THE LAST NINETEEN YEARS (19) AS OF MARCH 15, 1996 BOB DYLAN HAS UTILIZED A "GAG ORDER" AGAINST JAMES DAMIANO WHICH DESIGNATE ALL DISCOVERY MATERIALS PRODUCED IN THE LAWSUIT CONFIDENTIAL. ALL OF THESE DISCOVERY MATERIALS INCRIMINATE AND IMPLICATE BOB DYLAN IN HIS PLAGIARISMS AGAINST JAMES DAMIANO.

THE JAMES DAMIANO / BOB DYLAN PLAGIARISM LAWSUIT HAS BEEN THE MOST HIGH PROFILE CASE IN THE UNITED STATES FEDERAL JUDICIAL SYSTEM FOR THE PAST NINETEEN YEARS YET NOT ONE MAJOR NEWS SOURCE HAS REPORTED THE FINDINGS.

IT IS UNCONTESTED BY BOB DYLAN AND OR BOB DYLAN'S LAW FIRM MANATT, PHELPS & PHILLIPS, PARCHER HAYES & SNYDER, GIBSON DUNN & CRUTCHER, HECKER BROWN & SHERRY INCLUDING MARY JO WHITE, STEVEN HAYES, JONATHAN LIEBMAN, AND SONY HOUSE COUNSEL THAT BOB DYLAN AND PEOPLE IN BOB DYLAN'S ENTOURAGE HAVE SOLICITED JAMES DAMIANO'S SONGS AND MUSIC FOR OVER TEN YEARS.

FEW ARTISTS CAN LAY CLAIM TO THE CONTROVERSY THAT HAS SURROUNDED THE CAREER OF SONGWRITER JAMES DAMIANO. TWENTY-TWO YEARS AGO JAMES DAMIANO BEGAN AN ODYSSEY THAT LED HIM INTO A LEGAL MAELSTROM WITH BOB DYLAN THAT, TO THIS DAY, FASCINATES THE GREATEST OF INTELLECTUAL MINDS.

AS THE CURTAIN RISES ON THE STAGE OF DECEIT WE LEARN THAT CBS USED SONGS AND LYRICS FOR INTERNATIONAL RECORDING ARTIST, BOB DYLAN. BOB DYLAN'S NAME IS CREDITED TO THE SONGS. ONE OF THOSE SONGS IS NOMINATED FOR A GRAMMY AS BEST ROCK SONG OF THE YEAR. IRONICALLY THE TITLE OF THAT SONG IS DIGNITY.

SINCE AUDITIONING FOR THE LEGENDARY CBS RECORD PRODUCER JOHN HAMMOND, SR., WHO INFLUENCED THE CAREERS OF MUSIC INDUSTRY ICONS BILLY HOLIDAY, BOB DYLAN, PETE SEGER, BRUCE SPRINGSTEEN AND STEVIE RAY VAUGHAN, JAMES HAS ENGAGED IN A MULTIMILLION DOLLAR COPYRIGHT INFRINGEMENT LAW-SUIT WITH BOB DYLAN.

BOB DYLAN FOOLED THE WORLD FOR DECADES CLAIMING TO HAVE WRITTEN MANY OF THE MELODIES TO HIS HIT SONGS WHEN IN FACT MOST OF THE MELODIES WERE FROM PREEXISTING SONGS THAT HE DID NOT WRITE. WHAT BOB DYLAN DID AND EVEN ADMITTED TO IN A APRIL 04, 2004 INTERVIEW WITH ROBERT HILBURN OF THE L.A. TIMES WAS TO SIMPLY CHANGE THE WORDS TO EXISTING MELODIES THEN CREDITED HIS NAME TO THE ENTIRE SONG.

DYLAN EVEN ADMITTED THAT HE WROTE 'BLOWIN' IN THE WIND' IN 10 MINUTES BY SIMPLY CHANGING THE WORDS TO THE OLD SPIRITUAL SONG 'NO MORE AUCTION BLOCK" THE MOVIE "ELEVEN YEARS" CITES BY COMPARISON DYLAN'S COMPLICITY IN THESE BLATANT THEFTS. THE VIEWER WILL BE STUNNED SHOCKED AND EVEN APPALLED BY HOW LONG DYLAN GOT AWAY WITH THIS DEVIOUS PROCESS NOT TO MENTION THE STUNNING AND REVEALING SIMILARITIES OF THE SONGS.

IN AN ARTICLE WRITTEN BY ALEXANDER T. DELEY TITLED TO CATCH A MASTER THIEF MR. DELEY WRITES;

DYLAN IS ALSO NO STRANGER TO CONTROVERSY REGARDING HIS WORK. AN 11-YEAR, STILL-UNRESOLVED LAWSUIT FILED AGAINST HIM BY SONGWRITER JAMES DAMIANO IS PARTICULARLY TELLING. DAMIANO ALLEGES THAT DYLAN, QUITE IRONICALLY GIVEN THE TITLE, PLAGIARIZED THE SONG “DIGNITY” FROM DAMIANO.

DAMIANO HAD REPEATEDLY MET DYLAN AND SUBMITTED SONGS TO DYLAN’S PARENT LABEL CBS. THIS IS ESPECIALLY TELLING AS “DIGNITY” WAS DYLAN’S ONLY ‘HIT’ RECORD OF THE 1990S AND SEEMS QUITE DIFFERENT FROM MUCH OF DYLAN’S EARLIER WORK OR OTHER WORK THAT HE WAS PRODUCING DURING THAT PERIOD. IN AN ARTICLE TITLED FOLK LIES JONNY WHITESIDE WROTE: JUST TYPE “BOB DYLAN PLAGIARISM” INTO YOUR FRIENDLY SEARCH ENGINE, AND A PLETHORA OF QUESTIONABLE CIRCUMSTANCES POP UP, ENROBING THE SINGER ALMOST AS COMPLETELY AS HIS YEARS OF REFLEXIVE MEDIA FAWNING HAVE.

DOCUMENTED FROM HIS TEENAGE START, WHEN HE SUBMITTED A HAND WRITTEN, THINLY REVISED VERSION OF COUNTRY STAR HANK SNOW’S “LITTLE BUDDY” FOR PUBLICATION AS AN ORIGINAL POEM, TO HIS 1963 PILFERAGE OF IRISH POET DOMINIC BEHAN’S “PATRIOT GAME”‘S MELODY FOR THE SIMILARLY SLANTED DYLAN TUNE “WITH GOD ON OUR SIDE” TO SONGWRITER JAMES DAMIANO’S ONGOING MULTIMILLION DOLLAR COPYRIGHT INFRINGEMENT SUIT (ALLEGING DYLAN’S GRAMMY-NOMINATED “DIGNITY” IS NOTHING BUT AN ALTERED VERSION OF DAMIANO’S “STEEL GUITARS”) TO THE NAKED “RED SAILS IN THE SUNSET” MELODY HEIST FOR THE SONG “BEYOND THE HORIZON” ON HIS MODERN TIMES ALBUM, UP THROUGH THE RECENT CONFESSIONS OF A YAKUZA–LOVE & THEFT PLAGIARISM CHARGES (LOVE & THEFT? CALLING DR. FREUD!), THE TIMROD CONTROVERSY, EVEN THE NUMEROUS PASSAGES OF PROUST AND JACK LONDON THAT (RE) APPEAR IN THE TEXT OF DYLAN’S AUTOBIOGRAPHY, IT’S A DEEP, DARK THICKET OF THOROUGHLY DAMNING AND APPARENTLY CHRONIC BOOTLEGGING. NATURALLY, DYLAN HAS SAID NOTHING PUBLICLY ABOUT ANY OF THESE, BUT HE ALREADY SPENT OVER THREE MILLION DOLLARS DEFENDING HIMSELF AGAINST ONE-TIME AFFILIATE DAMIANO–THE CLASSIC DELAY-TO-DESTROY COURT ROOM TECHNIQUE.